Lema recounts its story of a year of window displays at the London Showroom

First window was Plis électriques, the delicate spring visual by Chiara Andreatti that for Lema signed the Bulè table and the Taiki sofa and armchair between 2018 and 2019. An expression of an instinctive and feminine design vision, with calibrated elegance, Plis électriques proposed off-scale fans in pleated paper,which are both light and sculptural, creating an eye catching installation with its transparencies that are both intense and contemporary thanks to the bright tones of the fluorescent neons hidden behind the fans, leaving the structure and the electric wires visible. Sophisticated scenes for the centre-stage protagonis, the custom-made Hangar walk-in wardrobe by Piero Lissoni.

First window was Plis électriques, the delicate spring visual by Chiara Andreatti that for Lema signed the Bulè table and the Taiki sofa and armchair between 2018 and 2019. An expression of an instinctive and feminine design vision, with calibrated elegance, Plis électriques proposed off-scale fans in pleated paper,which are both light and sculptural, creating an eye catching installation with its transparencies that are both intense and contemporary thanks to the bright tones of the fluorescent neons hidden behind the fans, leaving the structure and the electric wires visible. Sophisticated scenes for the centre-stage protagonis, the custom-made Hangar walk-in wardrobe by Piero Lissoni.

In May, a change of scene saw the Hangar walk-in closet still on the occasion of Chelsea in Bloom, the well-known floral festival that every year transforms the windows of Chelsea. Andrea Mancuso of Analogia Project, one of Lema's new collaborations with the 2019 Oculus mirror, presented Living Atlantis, an intriguing concept with a spectacular aquarium effect. A blue background like the ocean where the Hangar walk-in closet seemed to float in the water along with a play of fabrics and drapes.