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At Your Convenience: contemporary public-toilet architecture

A number of recent public conveniences receive a greater degree of design consideration than has historically been the case.

They say death is a great leveller. But your everyday, prosaic bodily functions come a close second. Even royalty gets caught short on occasion and has to dart off to the lavatory. London's V&A Museum is just one of the many 19th-century public buildings that had a special toilet constructed for a visiting Queen Victoria. (Save your jokes about royal flushes. We've heard them all before.)

Given that the need for public conveniences isn't one that's going to disappear until evolution finds some other way of disposing of the body's waste products, it's somewhat surprising that the public toilet as a building type hasn't received more and consistent architectural consideration. That said, a number of practices have attempted through bold and innovative forms and materials to create structures with added value – ones which function well as conveniences, but also contribute architecturally to the landscape in which they are situated, be it urban or rural. For them, the loo is anything but a dirty word.

The relation between natural surroundings and design intervention in the context of the public toilet is perhaps nowhere as emphatically foregrounded as in Lofoten, Norway. Replacing an existing structure that was lifted from its foundations by the dramatic location's strong Arctic winds, Oslo architectural office Manthey Kula have delivered a project that goes by the rather polite title of 'Roadside Reststop Akkarvikodden'.

If you're looking to spend a penny, you probably couldn't choose a more spectacular site. Lofoten lies north of the Arctic Circle, with the toilet building itself situated next to one of Norway's National Tourist Routes, which runs along a narrow plateau between the mountains and the sea. And yet, perhaps, counter to expectations, the welded-Corten-steel structure is not about the view. Indeed, its lack of windows serve to deprive visitors temporarily of their immediate surroundings.

‘The experience of the place, mountains and sea and the ever-present coastal climate is very intense,’ say Manthey Kula. ‘The restrooms were conceived to present a pause from the impressions of the surrounding nature, offering an experience of different sensuous qualities.’The rusting Corten steel, which is lined internally with glass panels, is accompanied by a cast concrete foundation and two concrete internal walls that carry the stainless-steel sanitary ware. The result is a weighty structure that defies the most troublesome of gusts of wind. Should you really need some kind of visual connection with the outside while you're busying yourself inside, you only need to look skyward. The smallest of the rest rooms features a glass panel mounted in the ceiling.

Down the road (or down several roads) in Aurland – also in Norway – it's all about the view. Forming part of a dramatically situated look-out, architects Todd Saunders and Tommie Wilhelmsen have created a 50-square-metre restroom that encourages the visitors to cast their gaze outwards. Generously sized picture windows frame the striking mountain range opposite, so there's no excuse for losing sight of those peaks.

On more even ground is Swiss practice Gramazio and Kohler's public-toilet project for a city park in Uster, Switzerland. The virtuoso design makes poetry out of the mundane through the application of an optically compelling skin, consisting of 295 folded aluminium strips, organised vertically. Sameness meets difference here as the variation in chromatic hue across the metal strips, combined with a differing depth of fold, produces a shimmering effect. (On a sunny day, of course.)

Each of the metal elements is laser-cut and folded by hand, and then clipped and bolted onto aluminium sheets, which in turn are mounted onto the structure's façade. But this is no one-off project. While the restroom houses the facilities necessary for you to go about your business, its envelope functions as a prototype for, as the architects put it, ‘a new typology of urban infrastructure’, which will be applied in contexts across the city over the next few years. In short: toilet as testbed.

Equally transformative in terms of its physical presence within an urban context is UK office Plastik Architects' public toilet in Gravesend, England. The resolutely geometric, decidedly sculptural structure exceeds its primary, utilitarian function, providing, as the architects put it, ‘a refreshing counterpoint to the pragmatic requirements of the brief, providing drama in what is otherwise a somewhat dreary urban environment’.

In response to the local council's brief to deliver a ‘minor-landmark’ project within a local regeneration area, Plastik Architects created a building with a show-stopping, inverted and boldly cantilevered pyramidal roof, made of in-situ-cast white concrete. The gap between the tilting roof form and the structure's walls works to lend the former – beyond its cantilever – a strong visual levity, while providing effective clerestory fenestration. The irregularity of the walls is redoubled by their cladding – ceramic tiles in eight different sizes were applied according to a prescribed hierarchy, yet one which allowed the workmen to decide their specific placement.

And finally it's back to Norway, where another tilting toilet block – this time located 1,200 metres above sea level – has been designed to mitigate the site's harsh weather conditions. The work of Bergen-based architects LJB and situated at Flotane, on top of Aurlandsfjellet – a somewhat inhospitable plateau that experiences, on average, eight months of snow a year – the 20-square-metre rest stop's tilted, cuboid form cleverly provides a sheltered entrance, while allowing for a perfect positioning of the structure's main window in terms of sunlight; built into the glazing are banks of solar cells, which meet the public convenience's energy needs in full.

Inside the structure, a wooden core hosts two toilets, while the outer concrete shell protects against the onslaught of the Nordic elements. Just what you want when you're responding to a call of nature. Whether or not it receives a royal endorsement, however, remains to be seen.

The white-concrete roof was cast in-situ, with the walls clad in ceramic tiles of differing sizes, heightening the sense of the structure's irregularity; photos Edmund Sumner

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  • Norway
  • Simon Keane-Cowell

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